The discussion about the value of Antiquity: Agrippa's Pantheon in the literary fiction based on travels in Italy in the 19th century

Número

Downloads

Article abstract page views:  394  

DOI

https://doi.org/10.25267/Cuad_Ilus_romant.2023.i29.18
PlumX

Authors

Abstract

The Pantheon of Agrippa, preserved after various vicissitudes, is one of the great examples of the architecture of Rome’s imperial period. It was one of the main monuments visited by travellers, appearing in the first travel experiences and pilgrimages. During the 18th century it acquired a great prominence, generating a series of ideas and perceptions around it inherited in the 19th century and which are conveyed in the literary works of writers who saw the Pantheon in situ. The aim of this research is therefore to study the reception and interpretation of the Pantheon in nineteenth-century fiction based on the authors’ travels, focusing on their readings of texts of the eighteenth century.

Keywords


Downloads

Download data is not yet available.

How to Cite

Esparcia Blanco, N. (2023). The discussion about the value of Antiquity: Agrippa’s Pantheon in the literary fiction based on travels in Italy in the 19th century. Cuadernos De Ilustración Y Romanticismo, (29), 331–351. https://doi.org/10.25267/Cuad_Ilus_romant.2023.i29.18

References

Ackerman, James S. (1961), The Architecture of Michelangelo, New York, The Viking Press.

Amoia, Alba y Bruschini, Enrico (1994), «Rome’s Monuments and Artistic Treasures in Mme de Staël “Corinne” (1807): Then and Now», Nineteenth-Century French Studies, vol. 22, no. 3/4, pp. 311-347.

Baracconi, Giuseppe (1884), Il Pantheon. Ricordi, Fantasie-Attualitá, Roma, Stablimento Tipografico dell’Opinione.

Barasch, Moshe (1990), Modern Theories of Art, 1: from Winckelmann to Baudelaire, New York, New York University Press.

Beckford, William (1986), The Grand Tour of William Beckford: Selections from Dreams, Walking Thoughts and Incidents, ed. Elizabeth Mavor, Harmondsworth, Penguin.

Bowron, Edgar P. y Joseph, J. Rishel (2000), Art in Rome in the Eighteenth Century, Philadelphia, Merrell Publishers.

Burke, Edmund (1757), A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, London, R. and J. Dodsley.

Byron, George, G. (1864), Las peregrinaciones de Childe Harold, New York, Imprenta de la Crónica. Trad. de M. de la Peña.

Cantatore, Flavia (2021), «Modernamente antica: la tomba di Raffaello al Pantheon», en Pio Baldi e Alice Militello (eds.), Enigma Raffaello. Fortuna, rivalità, contrasti: il mistero della morte del Sanzio, Milano, Skira.

De Staël, Madame (2010), Corinne o Italia, Madrid, Funambulista. Trad. de Pedro María de Olive.

Dickens Whinney, Margaret (1988), Sculpture in Britain, London, Penguin.

Eroli, Giovanni (1895), Raccolta generale delle iscrizioni pagane e cristiane esistite ed esistenti nel Pantheon di Roma, Narni, Tipografia Petrignani.

Etlin, Richard, A. (2015), «The Pantheon in the Modern Age», en Tod A. Marder y Mark Wilson Jones (eds.), The Pantheon from Antiquity to the Present, New York, Cambridge University Press, pp. 380-422.

Fea, Carlo (1820), L’Integrità del Panteon Rivendicata a Marco Agrippa dall’Avvocato Carlo Fea commissario delle Antichità, Roma, Presso Francesco Bourlié.

Fea, Carlo (1836), Miscellanea filológica, critica e antiquaria, vol. 2, Roma, Tipografia di Crispino Puccinelli.

Fontana, Carlo (1694), Templum vaticanum et ipsius origo cum aedificiis maximè conspicuis antiquitùs et recens ibidem constitutis, Roma, ex typographia Jo. Francisci Buagni.

Gilpin, William (1794), Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape: to which is added a poem, On Landscape Painting, London, R. Blamire.

González Moreno, Beatriz (2007), Lo sublime, lo gótico y lo romántico: la experiencia estética en el romanticismo inglés, Cuenca, Universidad de Castilla-La Mancha.

Hawthorne, Nathaniel (1871), Passages from French and Italian Notebooks vol. i, London, Strahan & Co.

Hawthorne, Nathaniel (2010), El fauno de mármol, Barcelona, Planeta, trad. de María Cristina Martín Sanz.

Hughes, Robert (2013), Roma: Una historia cultural, Barcelona, Crítica, trad. de Enrique Herrando.

James, Henry (1974), Letters, vol. i, 1843-1875, ed. Leon Edel, Cambridge, Massachusetts, The Belknap Press of Harvard University Press.

James, Henry (2017), «El último de los Valerio», en Eduardo Berti (ed.). Henry James, Cuentos Completos (1864-1878), Madrid, Páginas de Espuma.

Lanciani, Rodolfo (1897), The ruins and excavations of ancient Rome; a companion book for students and travelers, Boston y New York, Houghton, Mifflin and Company.

Lanciani, Rodolfo (1899), The Destruction of Ancient Rome, New York-London, Macmillan.

MacDonald, William, L. (1976), The Pantheon: design, meaning, and progeny, Cambridge, Harvard University Press.

Marder, Tod A. (1989) «Bernini and Alexander vii: Criticism and Praise of the Pantheon in the Seventeenth Century», The Art Bulletin, vol. 71, nº 4, pp. 628-645.

Mazzocca, Fernando, Francesco Leone y Stefano Grandesso (2021), Grand Tour. Sogno d’Italia da Venezia a Pompei, Roma, Skira.

Moatti, Claude (1993), In Search of Ancient Rome, London, Thames and Hudson.

Murray, John (1843), Handbook for Travellers in Central Italy, Including the Papal States, Rome and the Cities of Etruria, London, John Murray and Son.

Nesselrath, Arnold (2015), «Impressions of the Pantheon in the Renaissance», en Tod A. Marder y Mark Wilson Jones (eds.), The Pantheon from Antiquity to the Present, New York, Cambridge University Press, pp. 255-295.

Pasquali, Susanna (2004), «From the Pantheon of Artists to the Pantheon of Illustrious men: Raphael’s tomb and its legacy», en Richard Wrigley y Matthew Craske (eds.), Pantheons, Transformations of Monumental Idea, Surrey, Ashgate.

Pasquali, Susanna (2015), «Neoclassical Remodeling and Reconception, 1700-1820», en Tod A. Marder y Mark Wilson Jones (eds.), The Pantheon from Antiquity to the Present, New York, Cambridge University Press, pp. 330-353.

Piranesi, Giovanni B. (1759), Opere varie di architettura, prospettiva, grotteschi, antichità, ed. Giovanni Bouchard, Roma.

Serlio, Sebastiano (1540), Il terzo libro di Sebastiano Serlio bolognese, nel qual si figurani, e descriuono le antiquita di Roma e le altre che sono in Italia, e fuori d’Italia, Venecia, Francesco Marcolino da Forli.

Shelley, Mary W. (1976), «Valerius The Reanimated Roman», en Charles Robinson (ed.), Mary Shelley: Collected Tales and Stories, Baltimore, John Hopkins University Press.

Smith, Andrew (2000), «History and the Sublime», en Gothic Radicalism. Literature, Philosophy and Psychoanalysis in the Nineteenth Century, London, Macmillan Press, pp. 59-76.

Starke, Mariana (1820), Travels on the Continent: Written for the Use and Particular Information of Travellers, London, John Murray.

Stendhal (1959), Rome, Naples and Florence, London, John Calder.

Thomas, Edmund (2017), «The Cult Statues of the Pantheon. Cambridge», The Journal of Roman Studies, vol. 107, pp. 146-212.

Torres, Carlo, A. (1838), Cenni sulla forma primitiva del Pantheon Fabbricato per ordine di Marco Agrippa e Sulla Ristorazione da Farsi al Medesimo, Roma, Da’ tipi di giunchi e menicanti.

Ugoni, Pompeo (1588), Historia delle Stationi di Roma che si celebrano la Quadragesima di Pompeo Ugonio, Roma, Appresso Bartholomeo Bonfadino.

Vasari, Giorgio (1998), The Lives of The Artists, Oxford, Oxford World’s Classic.

Vitruvio, Marco (1997), Los diez libros de Arquitectura, Madrid, Alianza, trad. de José Luis Oliver Domingo.

Waddell, Gene (2008), Creating The Pantheon. Design, Materials, and Construction, Rome, «L’Erma» di Bretschneider.

Wheeler, Mortimer (1964), Roman Art and Architecture, New York, Frederick A. Praeger.

Wilson jones, Mark (2003), Principles of Roman Architecture, Yale, Yale University Press.

Woolley, Rachel (2001), Reanimating Scenes of History: The Treatment of Italy in the Writings of Mary Shelley, Newcastle, Newcastle University Library.

Zanker, Paul (1992), Augusto y el poder de las imágenes, Madrid, Alianza, trad. de Pablo Diener Ojeda.