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Appropiation and post-production: La comedia nueva o El café, by Ernesto Caballero
The triumph of emotion produces heroes: construction, reading and psychology in the theory of epic character
Walter Scott’s Vision of Don Roderick (1811): a ‘Drum and Trumpet Performance’?
The suffering and resistance of Francisca in El sí de las niñas by Leandro Fernández de Moratín