Le rôle du discours humoristique dans la construction de l'identité de genre
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DOI
https://doi.org/10.25267/Pragmalinguistica.2019.i27.06Info
Résumé
La présente investigation analyse le rôle du discours humoristique planifié dans la construction de l’identité de genre. L'objectif principal est d'explorer les différentes façons dans lesquelles les humoristes espagnoles font usage du style de parole féminin et masculin, en se servant du discours direct, ayant pour but de cesser avec les rôles sexuels et de bouleverser les notions hétéronormatives de virilité et féminité. Nous partons du principe que: dans le discours humoristique, le style de parole féminin et masculin s’utilisent avec indépendance du sexe pour obtenir certains effets comiques et sociales. Avec le but de vérifier telle conjecture, cette étude a un corpus de 15 monologues humoristiques représentés par sept comédiens américains et britanniques, tels que Tina Fey, Amy Schumer, Sarah Silverman, Kristen Shaal, Ellen DeGeneres ou Bridget Christie, dans des salles et des théâtres. La transcription et la segmentation de telles expositions nous ont permis d'examiner la fonction des différents styles de parole dans le discours direct et sa relation avec les styles humoristiques proposés par Martin et al. (2003). L'analyse des effets obtenus en rapport avec la construction et déconstruction de l'identité de genre, ainsi que l'étude des éléments linguistiques et paralinguistiques employés pour entraîner l'effet comique, nous ont donné la possibilité de confirmer que l'usage d'un style de parole influencé par une certaine identité de genre est un recours discursif qui peut impliquer aussi bien la rupture de certains rôles sexuels que la stimulation des clichés et des stéréotypes de genre
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