About the Journal

Focus and scope
All works published in Cuadernos de Ilustración y Romanticismo are original and unpublished, and must not have been accepted for publication by any other journal. Articles on literature, art, history and philosophy from the period 1700-1850 in Spain, America and Europe can be found in this journal. To this end, it accepts original works of a general theoretical, critical, historical, erudite or documentary nature in any of the official languages of Spain, as well as in English, French, Italian and Portuguese. Scientific articles are submitted for review through a double-blind peer review system. Once they have successfully completed the evaluation process, they will be published in their original language.

Cuadernos de Ilustración y Romanticismo allows free access to all its contents.

Review process

Authors should submit their papers making sure that they comply with the submission guidelines for authors. The editorial board will check that it meets the minimum requirements in terms of format, thematic fit and originality of the work; afterwards, the manuscript will be assigned to one member of the editorial board, or, if applicable, to the editor of the monograph or dossier, who will be in charge of the review process and, if accepted, of the subsequent steps until its publication. Originals received and assigned to a responsible editor will be scrutinised by two peer reviewers experts on the subject matter of the article, who will evaluate the manuscript following the double-blind model. The reviewers will upload their reports and recommendations to the journal´s online interface; once this is done, the editor in charge will communicate the recommendations of the reviewers to the manuscript author and will consider any major changes advised by the reviewers and take appropriate action, including the request of a resubmission of the manuscript for a further review if deemed advisable. The editor would send on of the following decisión to the authors:

Accepted for publication
Accepted with minor revisions
Revise and resubmit for review
Send to another journal
Rejected

*In case of one favorable evaluation and one unfavorable evaluation, the opinion of a third specialist would be required.

Open Access Policy

Cuadernos de Ilustración y Romanticismo allows free and open access to its contents, with the aim to help the diffusion of research results and greater global exchange of knowledge.

Anti-plagiarism policy

Manuscripts submitted to Cuadernos de Ilustración y Romanticismo must be original and unpublished papers and not under review in other journals.The TURNITIN software will be used to detect possible plagiarism and/or self plagiarism.

A similarity index of up to 20% is deemed acceptable —25% when the similarity is established against previous works by the author of the manuscript—, excluding bibliography and cited primary and secondary sources, as well as appendices and other coincidences that might raise the similarity index for reasons other than plagiarism.

In the case of studies that involve an update and extension of previous research, this circumstance must be pointed out and the editor in charge of the evaluation process will be responsible for determining whether the publication is reiterative with respect to previous works. This in no way excludes the evaluation by double blind peers of the texts in those sections that require it.

Frequency of publication

Cuadernos de Ilustración y Romanticismo publishes one issue per year, in the last semester of the year. The Journal is an annual publication.

Sections Policy

Introductions

It is prepared by the direction team or the coordinator of the monographic section, to present its contents.

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Special Issues

Submissions are open to any interested author and will be edited and reviewed under the supervision of the coordinator appointed for each special issue, or those authors invited to participate to it.

Indexed.

Blind peer review. All submissions, open or by invitation, will be evaluated equally.

Only original and unpublished works will be included, which must not be accepted for publication by any other journal. The works will relate to the field of literature, art, history and philosophy, referring to the period 1700-1850 in Spain, America and Europe, within the specific thematic area established in each call for papers. Articles of theoretical, critical, historical, scholarly or documentary nature are accepted in any of the Spanish languages, as well as in English, French, Italian and Portuguese.

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Dossiers

A set of articles on a specific topic, without previous or open call, which will be edited and reviewed under the supervision of a coordinator or grouped by the editorial board according to their contents.

Indexed.

Blind peer review. All submissions, including those received by invitation, will be evaluated equally.

Only original and unpublished works will be included, which must not be accepted for publication by any other journal. They will belong to the field of literature, art, history and philosophy, referring to the period 1700-1850 in Spain, America and Europe, within a specific thematic area. Articles of theoretical, critical, historical, scholarly or documentary nature are accepted in any of the Spanish languages, as well as in English, French, Italian and Portuguese.

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Miscellaneous

Submissions are open to any interested author.

Indexed.

Blind peer review.

Only original and unpublished works will be included, which must not be accepted for publication by any other journal. The works will relate to the field of literature, art, history and philosophy, referring to the period 1700-1850 in Spain, America and Europe. Articles of theoretical, critical, historical, scholarly or documentary nature are accepted in any of the Spanish languages, as well as in English, French, Italian and Portuguese.

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The Age of 1812

Submissions are open to any interested author.

Indexed.

Blind peer review.

Only original and unpublished works will be included, which must not be accepted for publication by any other journal. These works will relate to literature, art, history and philosophy, referring to the period 1808-1814 and its immediate environment, insofar as it concerns the revolutionary and constituent processes of the Hispanic world, the War of Independence and the crisis of the Old Regime from any point of view. Articles of theoretical, critical, historical, scholarly or documentary nature are accepted in any of the Spanish languages, as well as in English, French, Italian and Portuguese.

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Revisions and Translations

Submissions are open to any interested author.

Indexed.

Blind peer review.

Only original and unpublished works will be included, which must not be accepted for publication by any other journal. This section includes versions or translations into Spanish of small or medium length documents, preferably with a novel character and philological, historical or documentary value, concerning any of the disciplines and thematic areas covered by the journal.

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Short Papers

Submissions are open to any interested author.

Indexed.

No blind peer review.

This section includes papers that, due to their smaller size or to deal with specific aspects, may not be considered as articles, but which represent advances in some research of high documentary or informative value, or which have an essayistic and interpretative value, in the opinion of the editorial board. The journal's team will redirect to this section and will directly review the submissions that meet these characteristics. No peer review will be conducted. The thematic and chronological scope will be the same as for the miscellaneous section.

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Reviews

Submissions are open to any interested author or at the proposal of the editorial board.

Indexed.

No blind peer review.

Reviews of new literature (preferably published in the three years preceding the current issue) on any of the thematic and chronological areas of the journal will be published. Several books may be reviewed together. A minimum length of two pages and a maximum of five is recommended, although final approval is at the sole discretion of the journal's editorial team.

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Anejos de Cuadernos de Ilustración y Romanticismo

Submissions are open to any interested author or at the proposal of the editorial board.

Indexed.

Blind peer review.

The Anejos de Cuadernos de Ilustración y Romanticismo are a parallel collection of the journal, which publishes with irregular frequency monographs, documentary series or editions of historical or philological value, which due to their size or characteristics exceed the framework of the other sections. Proposals for publication will be addressed directly to the editors and will be subject to blind peer review. Manuscripts submitted to this section should not exceed 100,000 words, unless the editors of the journal consider that a longer length is justified. The originals must be delivered strictly with the format and presentation rules of the journal and the editing and layout process will be responsibility of the authors. The theme and chronology of the Anejos will be the same as those of the Cuadernos de Ilustración y Romanticismo. They will be published digitally separately from the ordinary issues of the journal, with their own numbering and year, but the same ISSN. The works submitted must be original and unpublished in any format, making the corresponding cession of rights at the time of acceptance.

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Archiving and content preservation

Cuadernos de Ilustración y Romanticismo has an archiving system via OJS (Open Journal System) that guarantees its digital preservation. The magazine keeps the PKP PN activated (https://docs.pkp.sfu.ca/pkp-pn/en/). Past issues can be consulted in the LOCKSS editorial manifesto (https://revistas.uca.es/index.php/cir/gateway/lockss) and in CLOCKSS (https://revistas.uca.es/index.php/cir/gateway/clockss).

Likewise, the journal is stored in RODIN (Repository of Research and Learning Objects of the University of Cádiz: https://rodin.uca.es/xmlui/), Dialnet and in other databases from the date of its inclusion.

Authors have permission to host their works once they have been published on their personal, institutional or research websites as long as they indicate the source of their publications.

Document-Author Identification

Cuadernos de Ilustración y Romanticismo requires authors to include their ORCID to facilitate the correct identification of their contributions.

Copyright Notice

The originals published in this journal are property of Cuadernos de Ilustración y Romanticismo: it is necessary to cite the original source for any use of the works.

Authors retain the copyright © and assign the right of publication to the journal. They will be able to host a version of their published works in personal pages or destined to science popularization, as long as they indicate the original source of the work and the link to the content published by the journal.

Licencia Creative Commons Atribución-NoComercial-SinDerivar 4.0 Internacional.

Publication Ethics and Malpractice Statement

Cuadernos de Ilustración y Romanticismo publishes original research of a theoretical, historical, critical, erudite or documentary nature on aspects related to art, literature, history and philosophy from the period 1700-1850. This general chronological framework may be extended in the monographs in accordance with the characteristics of the topic addressed, so that it can be developed as fully as possible and, exceptionally, when the connections of the topic with other works published by the journal make this extension of the framework advisable.

In order to guarantee the rigour of the research published, Cuadernos de Ilustración y Romanticismo adheres to the principles of transparency and good editorial practices established by the Code of Conduct for editors of scientific journals established by the Committee on Publication Ethics (COPE: Committee on Publication Ethics).

We provide a brief summary of this code of conduct.

Editors' responsibilities

The editors of Cuadernos de Ilustración y Romanticismo are committed to:

Ensure the quality of the material they publish, maintaining the academic integrity of the content evaluated and guaranteeing freedom of expression.
To improve the quality of the journal on an ongoing basis, so that it can be a reference within its scientific field.
To meet the needs of readers and authors.
To maintain the confidentiality of the contents submitted for publication, as well as those of author and reviewer during the peer review process.
The editors will not use the data contained in the texts under consideration without the explicit consent of the author.
To avoid conflicts of interests, of a commercial or intellectual nature.
To publish corrections and retractions when necessary.
To notify subscribers to the journal of the publication of each issue.

Responsibilities of authors

Authors who submit their research to Cuadernos de Ilustración y Romanticismo must ensure that:

The submitted papers contain original research and are free of academic plagiarism. They should also avoid repeating information already published by other researchers, unless they represent new approaches or considerable advances in knowledge.
All contributing authors must be correctly identified as such in the manuscript.
The sources used must be clearly indicated in the text, as well as in the bibliography, in accordance with the guidelines established by the journal.
Authors will be responsible for the contents and opinions of their studies; if they detect any major error, they must communicate it to the editors, who will determine whether to make the correction in the text or its metadata, or whether to make use of the "Notes" section for the rectification.
Authors will adapt their work to the journal's publication rules and will follow the guidelines established for each of its sections.
Work under evaluation by any other journal or publisher will not be accepted; if this is detected, the article will be rejected.

Responsibility of reviewers

The reviewers are a key element in guaranteeing the quality of the work published in Cuadernos de Ilustración y Romanticismo and work under the following premises:

They will ensure the confidentiality of both the manuscripts and their own identity, avoiding the disclosure of any information on the evaluation form that may suggest their responsibility in the evaluation process.
They will not make use of the data contained in the texts under review prior to their publication.
They will perform their duties following the deadlines established for the completion of their task, informing the editor of any incident in the process that might affect their ability to submit the review on time.
Once the evaluation of the work has been completed, the editor may request clarification on the aspects assessed in accordance with the template established for this task.

Conflict of interest

Authors must indicate the sources of funding for their work.
Appropriate measures will be taken to resolve potential conflicts of interest between authors, reviewers and editors.

Complaints and appeals

Authors may appeal and challenge editorial decisions in a reasoned manner. The final decision on the acceptance or rejection of the manuscript will not be reversed unless an irregularity is detected or new information relevant to the editorial decision has come to light. If you have questions and wish to appeal or lodge a complaint, please contact: beatriz.sanchez@uca.es

Intellectual property and rights

Responsibility for images published in the journal shall remain with their authors, who must have the necessary permissions for their reproduction.

Discussion and post-publication corrections

The journal follows the retraction guide published by COPE (https://publicationethics.org/retraction-guidelines).

Privacy Statement

The names and email addresses entered in this journal site will be used exclusively for the stated purposes of this journal and will not be made available for any other purpose or to any other party.

For further information, please read our Privacy Policy and Cookies Policy.

Users may exercise their rights under the provisions of the REGULATION (EU) 2016/679 OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL of 27 April 2016 on the protection of natural persons with regard to the processing of personal data and on the free movement of such data, and repealing Directive 95/46/EC (General Data Protection Regulation).

Interoperability protocol

Cuadernos de Ilustración y Romanticismo uses the OAI-PMH protocol (Open Archives Initiative - Protocol for Metadata Harvesting) with the following path: https://revistas.uca.es/index.php/cir/oai?verb=Identify

Indexation

Cuadernos de Ilustración y Romanticismois indexed in the following databases:

Sello de calidad FECYT (C2); SCOPUS SJR (Q1 Literature and Literary Theory; ERIHPLUS; WOS. Emerging Sources Citation Index; CIRC (Ciencias Humanas B); Ulrichsweb; Latindex (Catálogo 2.0); MLA (Modern Language Association); ÍnDICEs-CSIC; REDIB (Q1); DOAJ; MIAR; Journal Scholar Metrics (Q2); Citefactor; Dialnet (C1); CARHUS Plus+ 2018; Dulcinea; EuroPub; EBSCOhost; and others.

Design and layout of the journal

The internal design of the articles, the covers and the visual image of the journal, as well as the proofreading, layout and compagination of its contents, have been made from the issue16 by Carlos Cruz González (carloscruzgn@gmail.com).

Free-of-charge article reception and publication process

There are no charges for authors in the process of submission, review and layout of their articles.

Commitment to the research of emerging researchers and authors from developing countries

Cuadernos de Ilustración y Romanticismo supports quality research by both established and emerging researchers.

It also provides coverage for research in developing countries to establish confluence elements and networks.

Good editorial practices in gender and language

Cuadernos de Ilustración y Romanticismo promotes a non-discriminatory use of language, which avoids stereotypes and biases based around gender, race, class, religion, sexual identity or nationality, both in the topics studied and in the research methods. The stigmatization or idealization of any group, as well as the association of certain human groups with specific values, professions, ideologies or customs will be avoided. The Editorial Board will ensure a balanced presence of women and men at all levels of its operation. The published contributions will always include the name of their authors, in such a manner that it allows the correct identification of the corresponding author by means of an ORCID code or equivalent. Bibliographic references will include first names for the sake a clear identification.

In terms of language, we must not confuse grammatical gender (a category that applies only to words), gender as a sociocultural construct (roles, behaviours, activities and attributes that a given society and time attribute to each sex) and sex (biological differentiation in living beings). In this sense, we adhere to the United Nations goal of "expressing oneself orally and in writing without discriminating against a particular sex, social gender or gender identity and without perpetuating gender stereotypes" (https://www.un.org/es/gender-inclusive-language/index.shtml). The way to achieve this purpose must be sought without altering the necessary grammatical correctness and good style of both common speech and academic writing. In the case of articles written in Spanish, the Editorial Board refers to the report of the Real Academia Española Academy on inclusive language (https://www.rae.es/sites/default/files/Informe_lenguaje_inclusivo.pdf) and assumes the objective of "endorsing the respectful verbal treatment of men and women in our society, promoting egalitarian education that leads to the disappearance of degrading or offensive expressions directed at any person because of their sex or social condition, eliminating paternalistic attitudes towards women and strengthening labour and social conditions that put an end to historical situations of prolonged inequality". The Board also assumes, from the same report, the need to achieve this end without "violating other discursive or pragmatic postulates, such as those of equivalence, appropriateness, convenience, aesthetics and, especially, the principle of economy". By virtue of these basic criteria, the Board advises against the use of formulas that alter the morphology of the language, are uneconomical or lack an equivalent in oral communication: among them, "les niñes", "lxs niñxs", "l@s niñ@s", "los/as niño/as" in Spanish, or “Latinx” in English. Duplication, when deemed necessary, should not be systematic and should be done without using abbreviations: "los niños y niñas" or "las niñas y los niños" and not any of the above or other similar forms. It is recommended that the order of genders be randomly alternated in such cases. Avoid referring to men and women with different degrees of formality or with differentiated formulas of respect (for example, using first names for women and last names for men).

The journal's management will resolve any issues that may arise in line with these good practices, and respecting as much as possible the freedom of its collaborators.

Download and review statistics

Cuadernos de Ilustración y Romanticismo provides statistics of downloads of their work to authors who request it.

Percentage of acceptance and rejection of manuscripts in 2023:

Accepted 63%.

Rejected 37%.

Sponsors

Grupo de Estudios del Siglo XVIII de la Universidad de Cádiz

ISSN y URL

ISSN: 2173-0687

URL: http://revistas.uca.es/index.php/cir

History of Journal

The journal Cuadernos de Ilustración y Romanticismo was launched in 1991, as a tool for diffusion and debate at the Group of Studies on the 18th Century of the University of Cadiz (GES.XVIII, group HUM-139 of the Research Plan of Andalusia). Its objective is to value the historical, literary and social legacy of the Enlightenment and Romanticism, through scientific research. Until its 15th issue (2007) it was published on paper with the ISSN 1132-8304; since 2010 it has been published on an annual basis in digital format with the ISSN 2173-0687.

Peer reviewers (2020-2021)

(alphabetically)

Ester Alba Pagán, Universitat de València, España

Xavier Aldana Reyes, Manchester Metropolitan University, Reino Unido

Joaquín Álvarez Barrientos, CSIC, España

Xavier Andreu Miralles, Universitat de València, España

María Angulo Egea, Universidad de Zaragoza, España

Rosa María Aradra Sánchez, UNED, España

Antonio Arroyo Almaraz, Universidad Complutense de Madrid, España

Mari Paz Balibrea, Birkbeck, University of London, Reino Unido

Ana Isabel Ballesteros Dorado, Universidad CEU-San Pablo, Madrid, España
Nicolás Bas Martín, Universitat de València, España

Mónica Bolufer Peruga, Universitat de València, España

Rafael Bonilla Cerezo, Universidad de Córdoba, España

Julie Botteron, Université de Neuchâtel, Suiza

Federico Briante Benítez, Universidad de Sevilla, España

Miguel Cabañas Bravo, CSIC, España

Jesús Cañas Murillo, Universidad de Extremadura, España

Guillermo Carnero Arbat, Universitat de València, España

Antonio Castillo Gómez, Universidad de Alcalá de Henares, España

María José Castillo Pascual, Universidad de la Rioja, España

José Cepeda Gómez, Universidad Complutense de Madrid, España

Jorge Chen Sham, Universidad de Costa Rica, Costa Rica

Ainoa Chinchilla Galarzo, Universidad Complutense de Madrid, España

Agustín Coletes Blanco, Universidad de Oviedo, España

Carlos Collantes Sánchez, Universidad de Sevilla, España

Mercedes Comellas Aguirrezabal, Universidad de Sevilla, España

Albert Corbeto López, Reial Acadèmia de Bones Lletres de Barcelona, España

Nancy Yohana Correa Serna, Universidad Nacional de Colombia, Colombia

Marta Cristina Carbonell, Universitat de Barcelona, España

Francisco Cuevas Cervera, Universidad de Chile, Santiago de Chile, Chile
Beatriz Dávilo, Universidad Nacional del Rosario, Argentina

Santiago Díaz Lage, UNED, España

Epícteto Díaz Navarro, Universidad Complutense de Madrid, España

Manuel Díaz Ordóñez, Universidad de Sevilla, España

Fernando Doménech Rico, Real Escuela Superior de Arte Dramático, Madrid, España
Toni Dorca, Macalester College, Estados Unidos

Gérard Dufour, Université de Provence, Francia

Antonio Duplá Ansuategui, Universidad del País Vasco/Euskal Herriko Unibertsitatea, España

Alberto Escalante Varona, Universidad de La Rioja, España
Reyes Escalera Pérez, Universidad de Málaga, España

Pilar Espín Templado, UNED, España

David Félix Fernández Díaz, Lake Forest College, Estados Unidos
Elena Fernández García, Universitat Autònoma de Barcelona, España

Juan Francisco Ferre Ruiz, Universidad de Málaga, España

José María Ferri Coll, Universidad de Alicante, España

Beatriz Ferrús Antón, Universitat Autònoma de Barcelona, España)

Eva María Flores Ruiz, Universidad de Córdoba, España

Ricardo de la Fuente Ballesteros, Universidad de Valladolid, España

Matilde Gallardo Barbarroja, King's College London, Reino Unido

Salvador García Castañeda, The Ohio State University, Estados Unidos

Amparo García Cuadrado, Universidad de Murcia, España

María José García Folgado, Universitat de València, España

Francisco García González, Universidad de Castilla-La Mancha, España

Francisco García Jurado, Universidad Complutense de Madrid, España

Encarna García Monerris, Universitat de València, España

David T. Gies, University of Virginia, Estados Unidos

Virginia Gil Amate, Universidad de Oviedo, España

Francisco J. Giménez Rodríguez, Universidad de Granada, España
María Dolores Gimeno Puyol, Universitat Rovira i Virgili, España

Sandra Gómez Todó, Universidad Internacional de Valencia, Valencia, España
Miguel Fernando Gómez Vozmediano, Universidad Carlos III, España

Juan Gomis Coloma, Universidad Católica de Valencia, España

María José González Dávila, Universidad de Cádiz, España

Manuel Amador González Fuertes, Universidad Complutense de Madrid, España

Natalia González Heras, Universidad Complutense de Madrid, España

Beatriz González Moreno, Universidad de Castilla-La Mancha, España

Alberto González Troyano, Universidad de Sevilla, España
José Manuel Goñi Pérez, Aberystwyth University, Reino Unido

Augusto Guarino, Universitá degli Studi di Napoli L´Orientale, Italia
Javier Guillamón Álvarez, Universidad de Murcia, España

Esperanza Guillén Marcos, Universidad de Granada, España

Laura Guinot Ferri, Universitat de València, España

Rosa Gutiérrez Lloret, Universidad de Alicante, España

Raquel Gutiérrez Sebastián, Universidad de Cantabria, España

Manuel Hernández González, Universidad de La Laguna, España

Jorge de Hoyos Puente, UNED, España

José María Iñurritegui Rodríguez, UNED, España

José Jurado Morales, Universidad de Cádiz, España

Germán Labrador López de Azcona, Universidad Autónoma de Madrid, España

Francisco Lafarga, Universitat de Barcelona, España

Miguel Ángel Lama, Universidad de Extremadura, España
Emilio La Parra López, Universidad de Alicante, España

Víctor Lara Bermejo, Universidad de Cádiz, España

Juan Manuel Largo Vargas, Universidad Nacional de Colombia, Colombia

Elisabel Larriba, Aix Marseille Univ, CNRS, TELEMMe UMR 7303, Francia

Alicia Laspra Rodríguez, Universidad de Oviedo, España

Vicente León Navarro, España

María Virginia León Sanz, Universidad Complutense de Madrid, España

Eva Llergo, Universidad Camilo José Cela, España

Gerardo López Sastre, Universidad de Castilla-La Mancha, España

Noelia López Souto, Universidad de Salamanca, España

Claudia Lora Márquez, Universidad de Cádiz, España

Elena de Lorenzo Álvarez, Universidad de Oviedo, España

David Loyola López, Universidad de La Laguna, España

Álvaro Luque Amo, Universidad de Córdoba, España

Rosario Márquez Macías, Universidad de Huelva, España

Alejandro Martín Navarro, Profesor Enseñanza Secundaria, España

Ana Isabel Martín-Puya, Universidad de Córdoba, España

Elisa Martín-Valdepeñas Yagüe, UNED, España

Juan Pedro Martín Villarreal, Universidad de Cádiz, España

Pedro J. Martínez Plaza, Museo Nacional del Prado, España

Laura Martínez Renau, Universitat de València, España

Almudena Mejías Alonso, Universidad Complutense de Madrid, España

Carlos Miguel-Pueyo, Valparaiso University, Estados Unidos
Lorena Miralles Maciá, Universidad de Granada, España

Álvaro Molina, UNED, España

Hebe Beatriz Molina, Universidad Nacional de Cuyo-Conicet, Argentina

María Isabel Morales Sánchez, Universidad de Cádiz, España

Manuel Morán Orti, Foro para el Estudio de la Historia Militar de España (FEHME), España

Daniel Muñoz Sempere, Universidad de Cádiz-King’s College London, España-Reino Unido

Sergio Navarro Ramírez, Universidad de Navarra, España

Pedro Ojeda Escudero, Universidad de Burgos, España

Rodrigo Olay Valdés, Universidad de Oviedo, España

Marta Olivas, Universidad Complutense de Madrid, España

Beatriz Onandia Ruiz, Universidad del País Vasco/Euskal Herriko Unibertsitatea, España

Pablo Ortega-del-Cerro, Universidad de Murcia, España

Eugenia Ortiz Gambetta, Universidad Nacional de La Plata, Argentina

Tania Padilla Aguilera, Universidad de Córdoba / Université Bordeaux-Montaigne, España-Francia

Pedro Pardo Jiménez, Universidad de Cádiz, España

Alejandra Pasino, Universidad de Buenos Aires, Argentina

Jesús Pérez Magallón, McGill University, Canadá

Tomás Pérez Vejo, Instituto Nacional de Antropología e Historia, México
María Eugenia Perojo Arronte, Universidad de Valladolid, España

Aurèlia Pessarrodona Pérez, Conservatori Superior de Música del Liceu - Universidad Alfonso X el Sabio - Universidad Internacional de Valencia, España

José María Portillo Valdés, Universidad del País Vasco, España

Juan Pro, Universidad Autónoma de Madrid, España

Amparo Quiles Faz, Universidad de Málaga, España
Roberto Quirós Rosado, Universidad Autónoma de Madrid, España

Montserrat Ribao Pereira, Universidad de Vigo, España
Francisco Rico Callado, Universidad de Extremadura, España

Juan A. Ríos Carratalá, Universidad de Alicante, España
Jordi Roca Vernet, Universitat de Barcelona, España

Ricardo Rodrigo Mancho, Universitat de València, España

Roberto Rodríguez Aramayo, CSIC, España

Borja Rodríguez Gutiérrez, Universidad de Cantabria, España

Inmaculada Rodríguez Moya, Universitat Jaume I, España

María José Rodríguez Sánchez de León, Universidad de Salamanca, España

Rocio Roedtjer, King's College London, Reino Unido

Isabel Román Gutiérrez, Universidad de Sevilla, España